{"id":2017,"date":"2016-08-31T16:36:02","date_gmt":"2016-08-31T16:36:02","guid":{"rendered":"http:\/\/www.servais-vzw.org\/fr\/cellist\/cellotechniek\/"},"modified":"2016-09-04T17:55:26","modified_gmt":"2016-09-04T17:55:26","slug":"cellotechniek","status":"publish","type":"page","link":"https:\/\/www.servais-vzw.org\/fr\/cellist\/cellotechniek\/","title":{"rendered":"Technique du violoncelle"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_row padding_top=\u00a0\u00bb0px\u00a0\u00bb padding_bottom=\u00a0\u00bb0px\u00a0\u00bb][vc_column fade_animation_offset=\u00a0\u00bb45px\u00a0\u00bb width=\u00a0\u00bb1\/4&Prime;]<img decoding=\"async\"  class=\"x-img\"  src=\"https:\/\/www.servais-vzw.org\/wp-content\/uploads\/2015\/09\/B0078.jpg\" >[\/vc_column][vc_column fade_animation_offset=\u00a0\u00bb45px\u00a0\u00bb width=\u00a0\u00bb3\/4&Prime;]<h3  class=\"h-custom-headline h3\" style=\"margin-top:0!important\"><span>Technique de l&rsquo;archet et de la main gauche<\/span><\/h3><p>C\u2019est surtout au niveau de la technique de l\u2019archet que Servais a r\u00e9alis\u00e9 d\u2019\u00e9normes progr\u00e8s. La manipulation souple de l\u2019archet permet de jouer les arp\u00e8ges \u00e0 un tempo rapide, les legatos tr\u00e8s longs et les staccatos mordants par coups d\u2019archet vers le haut ou le bas. Il a \u00e9galement innov\u00e9 la technique de la main gauche: de longs passages en position du pouce et en haute position ont largement \u00e9tendu la palette des tons. Contrairement \u00e0 ses pr\u00e9d\u00e9cesseurs, Servais a su combiner une haute technique de virtuosit\u00e9 de l\u2019archet \u00e0 une technique de virtuosit\u00e9 de la main gauche.<\/p>\n<h3  class=\"h-custom-headline h3\" ><span>La pique<\/span><\/h3><p>En outre, Servais est entr\u00e9 dans la l\u00e9gende comme l\u2019inventeur de la pique qui permet une manipulation plus ais\u00e9e de l\u2019instrument. Jusqu\u2019au milieu du 19e si\u00e8cle, le violoncelliste coin\u00e7ait son instrument entre les jambes. Il reposait sur les mollets. Il en r\u00e9sultait des mouvements d\u2019archet l\u00e9g\u00e8rement crisp\u00e9s et de surcro\u00eet une difficult\u00e9 de produire les registres bas. Avant lui, certains violoncellistes pla\u00e7aient un petit banc ou un bloc de bois sous leur instrument. Servais fixa une pique m\u00e9tallique \u00e0 l\u2019extr\u00e9mit\u00e9 du violoncelle, il fut le premier violoncelliste \u00e0 toujours utiliser la pique. Il contribua largement \u00e0 diffuser cette fa\u00e7on de jouer par l\u2019interm\u00e9diaire de ses \u00e9l\u00e8ves et en se produisant tr\u00e8s fr\u00e9quemment.<\/p>\n<p>Apr\u00e8s plusieurs d\u00e9cades de jeu, l\u2019utilisation de cette pique est g\u00e9n\u00e9ralement adopt\u00e9e. Elle a r\u00e9volutionn\u00e9 le jeu du violoncelle: l\u2019instrument peut \u00eatre manipul\u00e9 plus librement et le corps tout entier est sollicit\u00e9, ce qui entra\u00eene une plus grande virtuosit\u00e9.<\/p>\n[\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row padding_top=\u00a0\u00bb0px\u00a0\u00bb padding_bottom=\u00a0\u00bb0px\u00a0\u00bb][vc_column fade_animation_offset=\u00a0\u00bb45px\u00a0\u00bb width=\u00a0\u00bb1\/4&Prime;][\/vc_column][vc_column fade_animation_offset=\u00a0\u00bb45px\u00a0\u00bb width=\u00a0\u00bb3\/4&Prime;][\/vc_column][\/vc_row]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":2011,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-layout-full-width.php","meta":{"om_disable_all_campaigns":false,"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"class_list":["post-2017","page","type-page","status-publish","hentry","no-post-thumbnail"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - 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